Your subject matter is not going to run away, or move (unless you are doing live squid). If you are looking to do this on the cheap:ġ. He is very good at what he does and is helpful for those who ask the right questions. I do a lot of this kind of work and there is more than one way to get it done in a good manner.įor starters pay attention to Kev Vincent. Had I ONLY used the would have been impossible for me to get the desired combinational perspective, even with a lot of fiddling in CS5.Īlso, a lens like the 17-55 2.8 (Or cheaper alternative) will allow you to get in pretty close.(ok, not 1:2 or 1:1 of course).but somewhere in the 1:5 range, which will probably be more than slose enuff for most of your food/product shots.įocus stacking is also another option to explore, as it really enhances your DOF capability, etc. I shot the background image closeup with my 105VR macro lens.but needed the 17-55 2.8 in order to shoot just the right subject image perspective.so that it would work exactly how I wanted it to.when all the different elements were combined. I'll give you a working example on this product shot I did last week. So, to start, I would look for something similar. It will all depend your setup, etc - but IF room-size and/or space ever becomes an issue.the small zoom also becomes very useful from a compositional perspective. Macros are usually tack sharp and generally good performers.and a good small-zoom (like my 17-55 2.8) often is handy when shooting subjects that require a bit of a wider angle, etc.

IF you are not willing to splurge and spend the required amount of dough.then I suggest that you look to get a decent small-zoom.įor my non-macro studio still-life/product shots I use the 105 2.8 VR and 17-55 2.8 lenses.

Best nikon macro lens for d5000